White Chapel



Snow
still comes. Still covers all
not grass
not Sandburg's greenly waving fibered blanket
full of fragrance allowing
life in the the midst of death
is humming underneath.

Snow is the sheath of cold
white sameness which in February
comes without the bells
and anticipation
of fireside's gingerbaking
cinnamon cakes. It takes a frozen tarp
and nullifies the violet's
violent
triumphant voice
which even
in the midst of broken sleepless weariness still stands there
like a little soldier fighting for our lives. Snow
goes in

and on and through
to the graveside
service
which is the last stop on these trains
where some will stand in rain
under umbrella'd grief and swear they loved us
and that life is ever April
May

folks who see snow
as the great white
wash

of dumpsters
dragons

duty
derailed

and life
as a tale of knights
and windmills won but I know snow is silence

death
and forgetfulness
of tea
leaves never read
misshapen comma children

floating in the seas of wombs unopened
and
unsung.

somedays, it pays to get out of bed

aroma of the clandestine aftermath
importuned beefsteaks and porcupine hats
raindripped, unstitched, beneath the cover of
nudes silk-screened lying in a heap at the end of memory

action foreordains the approach to the mortuary bunmaker
the incendiary photo taker
the mercenary popcorn faker
cleansed
ambidextrous inchoate sentient mushroom tea murder mystery
knows where my left hand has been.

desire lies sniffling allergies reacting
white bloodcells aggregate
intruder alert, warning, I say warning
I repeat myself when under arrest
to that i can attest i have seen the sun
and the trees tell me to lie down and soak it all in

youère soaking in it, bloodstained soaking in it
mirthbrained toiling in it
skirtchaste roiling and boiling crusted tasty pastries
scented with it
opposites attract or so the doily rolls
filo pastry attacks spinach underbelly aftertaste.

death comes to those who wait
good things come to those who wait
draw your own conclusions, Aristotle.

porch king blues

aroma of the clandestine aftermath
importuned beefsteaks and porcupine hats
raindripped, unstitched, beneath the cover of
nudes silk-screened lying in a heap at the end of memory

action foreordains the approach to the mortuary bunmaker
the incendiary photo taker
the mercenary popcorn faker
cleansed
ambidextrous inchoate sentient mushroom tea murder mystery
knows where my left hand has been.

desire lies sniffling allergies reacting
white bloodcells aggregate
intruder alert, warning, I say warning
I repeat myself when under arrest
to that i can attest i have seen the sun
A workman tumbled through the ceiling,
Ready-to-hand my foot
His foot protruding from above,
'What in the name of...?'

poetics of skinny legs and all that

in st. helena we
saw a street person
tattered up bearded grey thick
at the bus stop sidesaddle on his bicycle
with flat tires

he turned as i passed
said

if i had legs like that
i wouldn’t be wearing shorts

re[Creation]

Forms to compose a pattern,
cut to be decomposed,
are now being recomposed
to form again.

Free to dance on water I focus on U.

There is a cloak for me, when
in the whirlwind of Your presence, I found myself,
kissing the trains of Your robe.

An emerald bow.
A crystal sea.
All twenty-four adore.
I hear oil flowing
in myriads of hues.
I surrender.
I trust.

There is a cloak for me, when
in the whirlwind of Your presence, I found myself,
kissing the trains of Your robe.

Free to dance on water I focus on U.

Forms to compose a pattern,
cut to be decomposed,
are now being recomposed
to form again.


Dogmat: A portrait

Les, 53, is head of security at a large London bookshop. On the way home, he often passes through Soho, which is a short walk from his workplace. He likes to stop in a place called 'Bookshop'. They have a downstairs section, which stocks sexual paraphernalia of all kinds.
Les likes 'dirty' magazines, buying three or four every month. Lately however, Les has had his eye on a small leather whip. He wonders what it would be like.
"I wonder what it would be like," he says to himself.
Tonight Les won't be buying the whip, since there's been an incident at his store.

I ask about the incident.

Les: "Yes. She's been.Twice, maybe three times."
Jon, 39. Store manager - up and coming talent, who looks set for great things in the world of retail: "Less a thorn in my side than a tiny pebble in my shoe."
Charles, 25. Part-time sales assistant, and economics graduate student: "I remember taking her payment once. Nice eyes. Not suspicious at all. No - a regular customer."

I have reprinted below the report Les made to the police.

"At around 14h50, a young woman of asian extraction entered the premises. She was being monitored on the CCTV system. She proceeded, via the staircase, to the third floor. On arriving in the philosophy section, she made for the 'B' shelves [a section popular, for some reason, with ruffians and guttersnipes]. She looked through one item [possibly a book by Baudrillard, but we can't know for sure]. She appeared confused and nervous, agitated even. She replaced the volume quickly. Following this episode, the customer moved to 'S', finding solace in the dustcovers of Sartre and Schopenhauer.
It is not unusual to follow a potential thief, using these cameras, for up to half an hour. As I was about to resume my other duties, I noticed said customer proceed to the foreign language philosophy shelves. Before my very eyes, she swiftly placed three books in her bag. I called Jon (the store manager), who made sure she was apprehended before leaving."

Blood-Smutch'd Little Note-Books

Blood-Smutch'd Little Note-Books

is what
Whitman called them. War or
no war, they're the same today
as the
1860's. Whenever a writer
takes a pen nub, pushes it in
like a hypodermic,
tries to draw
life out, it's like that
clear serum oozes through
when there is no wound,
ends up as pages.

Good And Stuck




Like buckets
on a waterwheel
things keep
turning
round
and getting emptied out
the next
day
next hour next
change of circumstance
a while
ago
I held
a spectacular place
in your heart
today
I'm the
past
and it's funny
when you
think about it
I've ironically become
one of the ones I bristled against
for so long
one of the former ones
those
ghosts who wouldn't let you be
along with your mother and other
consorts
all distortions
in your present
plaguing someone
else

and I'm
untouchable
I'm the
past

unavoidable
as the smell of gas when a pilot light goes out,
and here to stay.
here is a little poetic audio zen_even lyric

the desert of the unreal

That's not only the title of a little and clever book by Slavoj Zizek, it's also my feeling when the driver of my taxi drove me along the desert, all the way from Jerusalem to Sheick Ahmed Bridge, the only international border allow to tourists to go into Jordan. I hired the cab through the American Colony Hotel, a wonderful house from the last century where the American preacher Anna Spafford founded a small sect.
She left her home in Chicago 1881 and settled down in Jerusalem. The hotel become the center for religious zealous, some of them were Swedes and the Nobelprize Selma Lagerlof inmortalized them in the novel "To Jerusalem".
The driver was a Christian Palestine and he was not allowed to go into Jericco, the oldest inhabited city in the world.
We tried to blow our trumpets but the soldiers in the checkpoints were austere and stern and the walls resisted.
Ana

"Hope that Leaves with the Season"

(1st line by H P Lovecraft)

I ceased to hope--because I understood
that hope is like the flash of green at dusk
that carries from the sun's departing disk
only an issueless echo. Hazard-flood,
invariance of task:

these are walls of a world. What hope brings
cannot but cloud the eye as, driving home
thoughts of another scene intrude or, rungs
from where the ground arrives, i lose my climb

and briskly come to harm.
Hope is like that. It takes your grief away
when grief is half of why you carry on.
Among the rain-drenched tombs, this much is known.

2 13 06

Death and the Silent places

this
old music
from my childhood

they
had a
war on too

glittering
High Renaissance
it seems now

between
the first
and second cup

ruins
i have
dragged boot across

they
thought we
would visit stars

stars
our children
shall be serfs

this
passionate music
to be free

warm
in my
hands the cup

empty
the dark
and the cars

all
the same
movies but sharper

Wild Percussion Of Us




We play drums, the lot of us. Some
play skin and beat their bones beneath.
Hips hug
jeans. Seams
stretched to maximum effect, and it's a song.
And some play teeth and leash the wind
whilst it whistles
in and out, and tongue tries
words
against the uvula and palate, siphoning off
the brain's bum's rush of noise, endeavoring
to com-mu-ni-cate, and some
play Hate-- make every moment
into a clash- a sword-
a bombast,
drumming on the other fellow's
rights
or wife or talents.
Some look to stars
and play their bongos
on the circuts of Polaris priding up the sky, then drum
the ground
again, to make sure they send by sound,
the wonder of it all. And the preachers play the kettle
drum
of creation,
banging out Almighty God. Prod the godless into sometimes
giving thanks or looking over their shoulders for the deity- it's true,
and you
play me, and I
play you.