to brim aboard welcome one aboard blog Taking the Brim Broom e.veryone aboard TakingBrim Broom ~.
to suggest 'sum' ideas 'quanta' n 'quantum' teeta ~ four discussion that would knock knock) consider theE ('a') relation of poetry >>> prose, and to a sort of theoretical scaffolding ... not the theory they you 'us' taught in the schools or univ.
but the one that each practitioner of an art form evolves for himSelf
I was always interested in knowing what anyone thought of their own work, and what their own ideas about it were. For instance, does a pome work by itself, or should it be read along with
others? Does a poor poem exist, as itself, or is there a context for it? I am interested in the work of schizoanalysis, or rhizomatics, an idea developed by Gilles Deleuze and F. Guattari in several of their books. Antioedipus, One Thousand Plateaus and how this is applied, illustrated or used by fellow artists.
What is a prose poem, what is a fiction. I am working on a book __ that is also a blog that I call fictions. I relate this to prose poetry, but I dont think they are prose pomes, in the sense that prose poetry is not real. Yet my fictions are not real biographies, and in fact they were originally a series of emails. Yet letters, transformed into fiction became the back bone of the early English novel. Epistolary fiction. So there is a whole question of what constitutes a work of fiction, and how does it differentiate itself from a prose pome. At least a prose pome that does not describe itself as personal and subjective, or even impressionistic.
So there you go. some ideas.
There are no authorities in art, but its makers, its authors, ourselves author/Ing
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